[Bayern 02] - Enna Burning Read online

  Praise for

  Enna Burning

  A New York Public Library Book for the Teen Age

  An Amazon "Editor's Pick" for Best Book of the Year

  An ABC "Best Book," Science Fiction & Fantasy Category

  "An original tale that stands on its own. With a richly detailed setting, eloquent descriptions, a complex plot, a large cast of characters, and romance, this high fantasy will be welcomed by fans of The Goose Girl and those who have yet to discover it."

  —School Library Journal

  "This engaging novel has something for everyone. . . . It contains strong male and female characters who develop as the impact of their struggles takes its toll." —VOYA

  "A poignant exploration of dependency, abuse, and recovery but also a finely crafted fantasy, this novel will be appreciated as much for its reflection of the real world as for its development of a complex imaginary realm."

  —The Bulletin of the Center for Children's Books

  "[A] meaty, sprawling companion, which will enchant even readers unfamiliar with the first book." —Booklist

  Enna

  Burning

  ALSO BY SHANNON HALE

  THE BOOKS OF BAYERN:

  The Goose Girl

  River Secrets

  Princess Academy

  Book of a Thousand Days

  GRAPHIC NOVEL:

  WITH DEAN HALE

  ILLUSTRATIONS BY NATHAN HALE

  Rapunzel's Revenge

  FOR ADULTS:

  Austenland

  THE BOOKS OF BAYERN

  Enna

  Burning

  SHANNON HALE

  Copyright © 2004 by Shannon Hale

  First published by Bloomsbury U.S.A. Children's Books in 2004

  Paperback edition published in 2006

  All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews.

  Published by Bloomsbury U.S.A. Children's Books

  175 Fifth Avenue, New York, New York 10010

  Distributed to the trade by Macmillan

  The Library of Congress has cataloged the hardcover edition as follows:

  Hale, Shannon

  Enna burning / by Shannon Hale.

  p. cm.

  Sequel to: The goose girl.

  Summary: Enna hopes that her new knowledge of how to wield fire will help protect her good friends Isi—the Princess Anidori—and all of Bayern against their enemies, but the need to burn is uncontrollable and puts Enna and her loved ones in grave danger.

  eISBN: 978-1-59990-408-5

  [I. Fairy tales—Fiction. 2. Fire—Fiction. 3. Nature—

  Effect of human beings on—Fiction.] I. Title.

  PZ8.HI34En 2004 [Fie]—dc22 2003065817

  * * *

  Printed in the U.S.A. by Quebecor World Fairfield

  3 5 7 9 10 8 6 4

  All papers used by Bloomsbury U.S.A. are natural, recyclable products made from wood grown in well-managed forests. The manufacturing processes conform to the environmental regulations of the country of origin.

  For the Bryner sisters

  (perhaps you've heard of us)

  Melissa, Katie & Jessica

  Contents

  Prologue

  Part One

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Part Two

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Part Three

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Part Four

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Acknowledgments

  A note about Enna Burning from SHANNON HALE

  A conversation with SHANNON HALE

  SHANNON HALE

  Prologue

  The woman bore a scorch mark from her chin to her brow. The vision in her left eye was still blurry, as though she were looking through a scratched pane. She had been walking away from the burning for a few weeks by now and so supposed the eye would never heal, even if she lived long enough to give it time. Closing her bad eye, she squinted to see where she was going. There was a patch of greenness on the horizon that stretched into the east. A forest. Perhaps that would be far enough away.

  As the woman walked, she leaked fire unawares, and the dead river wood occasionally smoked beside her or crackled into flame. Once or twice, to ease the burning, the woman threw herself into the stream beside her path, choking on the water and weeping as the stream took away her heat. It was hard to get back up after that, but memory of the horrors she left behind drove her on.

  Her skin twitched to remember hot ash falling; her eyes roved as though watching again and again the village in flames. She clutched the sack containing the vellum tighter to her chest, remembered her purpose, and walked faster.

  She walked until the wet forest air enclosed her and washed the scorched smell from her hair. She walked until she fell. Then she dug where she fell, pulling away handfuls of soil from under a young fir tree.

  "Here," she said, talking to the fir, "keep this."

  The woman unrolled the oiled cloth and took out the vellum, looking again at the writing that had started the end of her everything. It was still in beautiful condition, though the vellum had been made from lambskin in her mother's time. Tight, delicate writing filled its face, each black stroke bleeding tiny lines thin as spiders' legs, each word stitched together in a lacework of ink. Glancing over it again, she sobbed once at the beauty of the knowledge it held. Her eyes stung, and the fever burned away any tears.

  She loved the fire, loved it more than her own flesh now. Destroying the vellum and the truth it held seemed a hopeless gesture. Deep inside, behind her scorched eye, she knew she probably should. But no, she would hide it to prevent destruction like the kind she had caused. And she would hide it so that perhaps one day someone with the talent to learn could read it and know its goodness. She prayed it might be someone stronger than she.

  She wrapped the vellum back in its cloth, then slipped both into the slim clay pot she had used for water, burying the tiny coffin beneath the pine.

  The woman lay down and let herself relax, deep inside, where for so long she had trembled to hold the fire at bay. Her control broke like a tree limb under too much weight, and the snap made her cry out. Heat poured from her chest and pressed out against her skin, burning her as she had burned others. Her blurred eye went dark, her good eye saw gold, and the forest pulsed with life, then stilled under a winding breeze.

  She rested her head on the ground. The pine needles pressing into her cheek began to crackle. Smoke rose in fragile tendrils, and she watched them rise until she could at last give in fully and die.

  Part One

  Sister

  Chapter 1

  Enna let the fire burn out.

  She was not used to this duty. For the three years she had lived and worked in the city, the hearth had been the hall mistress's responsibility. And when Enna had returned to the Forest a year ago at the onset of her mother's illness, her mother had continued to tend the fire. After her mother's death in the spring, Enna had become the mistress of this little Forest house, but with a garden to tend, wood to chop, and a brother, a goat, and chickens to feed, she often forgot the fire.

  It was not hard to do. A f
ire in a kitchen hearth was a quiet beast.

  Of course, Enna thought, she would overlook the coals on a night when her brother and, more important, the flint in the kindling box were out wandering in the deep woods. So she walked to the house of her nearest neighbor, Doda, and borrowed a spade's worth of embers in her milking pail. She struggled home, gripping the hot handle with a rag and the end of her skirt.

  The embers drew her eyes. They were beautiful, pulsing red in the bottom of the dark pail like the heart of a living thing. She looked away, and the orange coals stayed before her eyes, burning its image over the night. She tripped on a tree root.

  "Ah, ah," she said, trying to regain her balance and keep the hot pail from touching her or spilling to the ground. She cursed herself for the hundredth time that night for being so careless, sought out the dark outline of her house, and headed for it.

  "Strange," said Enna, blinking hard to clear her vision. There appeared to be a light in her window, and it was getting brighter. Enna ran through the yard and looked into the open window.

  First she noticed the hearth fire blazing. She was about to exclaim when she saw her brother, Leifer, sitting beside it, his pack on his lap, his attention taken up by something in his hands. Enna thought he looked handsome like this, his face still and thoughtful. He shared with Enna the black hair and dark eyes that had marked their mother. At age eighteen he was two years older than Enna, though unlike her he had never left the Forest even so far as to visit Bayern's capital, just two days' travel from their home.

  Leifer unrolled the thing in his hands, and the firelight illuminated it from behind so that it glowed like a lamp. Enna could see it was a piece of vellum with writing on one side. Leifer could read a little, as could she—unusual for Forest-born, but their mother was from the city and had taught them. Parchment was rare in the Forest, and Enna had no notion where he had found such a thing.

  A slow, burning pain in her hands reminded her what she held, and she tottered onto the porch and through the door. She caught sight of Leifer hastily rolling up the vellum and stuffing it in his pack.

  "Hot," said Enna at a near run. She put the pail by the hearth and brushed off her hands. "Ow, but that rag grew thinner the farther I walked. Greatness, Leifer, I thought the house aflame from a distance."

  Leifer closed up his pack and shoved it into the darkness under his bed. "Well, had you kept the fire going . . . "

  "Yes, yes," said Enna, shooing away his protest with a wave of her hand. "No need to remind me I'm as good as a fish when it comes to the cookfire. Really, you're good to get a full blaze going in a dead hearth in just the time it took me to get a pail of embers from Doda. You did spook me coming up out of nowhere, though. Why're you back a day early?"

  Leifer shrugged. "We were done." He looked out the window, though the night was so dark that it opened only to a view of blackness. He seemed thoughtful, but Enna would not have the silence. He had been gone for six days, and she had driven the chickens to ceaseless squawking in a vain quest for conversation.

  "So," said Enna, her voice expressing exaggerated impatience, "what'd you find?"

  "Oh, you know. Gebi found settling places with fresh springs about an hour's walk from here. We found another pasturing place, brought back some berry bushes and onions for planting, and . . . " He paused, then rose to close the shutters on the night. He stood a moment, his hand splayed on the wood. "And I found a lightning-dead fir in the deep Forest. We, we pulled it up by the roots, dragged it to the spring for settlers to use."

  His voice hinted at more.

  She cleared her throat. "And?"

  "Something curious . . . " He looked back at her, and his voice was edged with excitement. "There were some shards of pottery wrapped right up in its roots, like something, maybe a bowl or jar, had been buried there before the fir took deep root. I counted the rings, and I think the tree was near a hundred years old."

  "Hm. You find anything else?" The vellum, she thought. She knew if Leifer did not bring it up on his own, all the cajoling in the world could not squeeze a secret out of him. When he did not speak, she grabbed a boot and threw it at his backside.

  "Ow" he said with a laugh, and rubbed the spot.

  "Why're you so quiet?" said Enna.

  Leifer snorted. "You know, Enna, you're like a baby who needs to be constantly cuddled and cooed at."

  Scowling, she scooped up the remains of an apple-and-oat stew and shoved the bowl into his hands. "Would a baby serve you supper?"

  Leifer smiled at his bowl. "Thanks," he said.

  He eyed her to see if she was actually angry, so she scowled again and ignored him for her knitting.

  "I mean it," said Leifer. "Thanks for—"

  "Swallow, then talk."

  Leifer swallowed hastily. "Thanks for sticking around all year, after Ma . . . and everything. I mean it. You know . . . I can t e l l . . . I see how you look. You're not always happy here."

  Enna shrugged.

  "The Forest isn't exciting for you, after living in the city, I guess." The corners of Leifer's mouth twitched. "Stay a while longer. I think it'll liven up soon."

  "What, pine nut season?" Enna smirked. "You Forest boys have heads stuffed with fir needles. There are other things in this world besides trees."

  "I know." Leifer finished his bowl and then stared at the bottom. A crease formed between his eyebrows.

  "What does that look mean?" Enna asked.

  "I was just remembering something Gebi told me. When he was in the city at marketday, a city butcher called him a squatter. The more I think about it, the madder I get."

  "Hmph," said Enna, knitting more emphatically, "you never step out of the canopy's shade, what do you care what some city butcher thinks about you?"

  "I don't know." He rubbed at the tight spot on his brow. "I don't know, but it bothers me now. Our people have been living for over a hundred years on land the city folk thought was too rough. And still, they call us squatters."

  "There are some ignorant people in the city, I won't argue that, but you know that things're changing for us."

  "Yes, I've heard you go on before, and I don't want to hear it now."

  "Well, you're going to," said Enna, her heart beating harder at the prospect of a good quarrel. "In the city, when I kept chickens for the king's house, all the animal workers were Forest folk like us, living there because our parents couldn't afford to feed us out here. Dozens of us huddled together in our animal keeper quarters, not permitted to mingle with the city folk."

  "I know, Enna, but—"

  "No, you listen. You weren't there. It was hard. Our boys couldn't buy a drink in a tavern or court a city girl or earn a coin any other way but tending animals. We've got rights now. I saw with my own eyes the king bestow Forest boys with javelins and shields, just like the city boys and village boys get when they come of age. We're citizens. Just look at how we're clearing our own market centers and acting like proper villages."

  "But don't you care? They call us squatters, and I'm not going to just take that."

  "Of course you will, because—"

  "I'm not!" Leifer bolted out of his chair and hurled his clay bowl against the wall, shattering it to bits. Enna stood, dropping the yarn. The ball rolled until it hit his boot.

  "Leifer, what . . . ?"

  Leifer kicked the yarn and scowled, and for a moment Enna thought he might break something else. Then his breath heaved and his face softened.

  "I'm sorry, I—" He shook his head, grabbed his pack from beneath his cot, and ran outside.

  Enna followed him into the yard and watched him disappear into the night forest. "What's the matter?" she shouted after him. "You sick or something?"

  She stood a while in the yard, expecting him to mope back and apologize, but he did not return.

  "Leifer?" she called again. He was gone. Enna shook her head. "Wonders."

  It was late summer. The air felt thicker at night, the darkness full of unspent action. The
house stood in a clearing just big enough for the animals and the kitchen garden, and then the yard was stopped by towering evergreens—thick trunked, spiny armed, their heads blocking the view to the stars. Sometimes, especially at night, those trees felt like a wall.

  She walked to the edge of the yard, leaned against a dark fir, and felt her chest stretch against that familiar feeling, that yawning bit of panic. It felt as though something were missing, but she did not know what she was mourning. Maybe Leifer was feeling the same way, that the Forest was not enough anymore, that he had to find something bigger to fill his life. But just going to the city to tend the king's animals was not the answer now, not for either of them.

  You're not always happy here, he had said. He could see that. Enna wondered what had happened to the girl who was content just walking the deer paths padded with needles, her feet sticky with sap and her pockets full of pine nuts. She pressed herself against the coarse trunk and felt again how much she loved the Forest and remembered a time when she had never wanted to leave.

  And then there had been the city, and her best friend, Isi, who had been an animal worker just like herself. Enna sighed homesickness, missing her friend whom she had not been able to visit since her mother took ill. Isi was wonderful. She had stopped a war, honored her friends, married her love, discovered a great power. Enna could not be content now that she had seen all Isi had done. There could be something like that for me, thought Enna again, if I knew where to look.

  A hunting owl passed so close that she felt the air from his wings brush her face. Then he was gone, as he had come, in silence.